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Tags: F/M Human romance Vore (thematic)
Chapter 12 - The Move
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Posted by Ty975 3 years ago Report
Dude, you don’t know how hype I’ve been seeing these come out everyday. It’s gonna be a shame when it eventually has to stop, but I’m eager to see what constitutes as an ending for these two
Posted by 4ofSwords 3 years ago Report
Well, we're not quite half done yet, so you should at least get to enjoy it through March. But thanks! It's really great knowing that someone is reading and enjoying it. :)
Posted by Astronommy 3 years ago Report
This chapter is brought to you by ~Amtrak~!
For a fair fare, from here to there!
(*patter-mumbled* This programme has been developed in close association with Whirlpool Corporation.)
Loving all those stitches of the rarely-featured real things and cultural tidbits running throughout the novel!
Snappy quick transition from where the story was at in the last time -- paradoxically, the transition is back to that very place (but probably away from the con life for a while) with a meaningful detour! The car scene is a little marvel, and one of the bolder early glimpses of the novel's thematic flavoring!
The stakes are rising through the roof here, with the heroine having been thrust into an aptly-disparaged state of dependency, hyper-motivated to tilt the balance back into a position of comfortable self-sufficiency, while confronting the urge to mitigate her reflexive urge to make up for things with the means available to her, as advised against by her trusted consigliere!
All in all, the story's been doing a great job reclaiming the traditional feminine arts from the cobwebs of the old, the mundane and the misogynistically dismissed, kudos!
There is also an another curious example of Mr. Schwartz's peculiar mode of interacting with the world, and both Marta and the unknown lady name both appear on the horizon of existential threats to the vivacious, but still fragile, relationship.
Posted by 4ofSwords 3 years ago Report
> and the unknown lady name
I'd be curious to follow up on this later.
Hopefully I'm not giving too much away to say that not every threat has a matching shoe that is dropped later; rather, it's meant to be indicative of the way Claire senses so many threats around her, the way her comfortable, safe home is a very small space metaphorically, and outside of that she is like a wolf in a room full of dogcatchers. She cultivates this appearance of confidence and control, but beneath it she is ready to snarl and fight for her freedom and what's hers.
Posted by Astronommy 3 years ago Report
I've mostly given up embarrassing myself by flimsy guesswork, so I meant that in the sense you describe, in terms of what Claire could see as threats in that moment, or at least irregularities to be checked out and managed later on.
Again, a wonderful explanation for Claire! The metaphor works both for the old school view of the wolves as solitary noble savage beasts, and the modern one of them being family-obsessed snarly divas.
Posted by 4ofSwords 3 years ago Report
> I've mostly given up embarrassing myself by flimsy guesswork
You are saving me from having to think of clever, suggestive response that doesn't give anything away!
Posted by Astronommy 3 years ago Report
Complacency is contagious like that!