somethin that occurred to me is how artists can choose to portray whether or not the person in the tum can be heard...
like either you can:
a) have the person be totally audible to those around them, both to the pred and bystanders, leading to the either funny comments from the disgruntled prey within or the scary-horny having the next victim being able to hear the previous one (and this route is prolly the most common tbh)
b) bystanders can't hear the prey, but the pred can hear them (and the prey can usually hear the pred/everyone), sort of like a personal vore telepathy. presumably because the voice echos inside the pred's body but doesn't actually manage to escape, leading to the kinda interesting powerplay of the pred ignoring the prey's crying...
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